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858

Haynes, Wm. S.

Serial #36100

Boston, USA

Stamp: Engraved on barrel: (curved) THE HAYNES FLUTE / (STRAIGHT) MFD BY / WM. S. HAYNES CO. / BOSTON, MASS /36100 / REG. TRADE MARK / HAROLD W. JETER Engraved on headjoint: (curved) REGISTERED/ (monogram) WSH / (reverse curve) / TRADEMARK

Marks: Initials on the footjoint strap appear to be: "FI". Just above the G# the numbers. "454" are punched into that strap.

Manufacture Date: Made August, 1967, according to the Haynes Company.

Hallmarks:

Comments: This flute clearly has a strong and compelling tone, without any of the annoying tendencies of more modern instruments, yet the pads leak just enough to make this instruments inner mysteries a wonderful, discoverable, secret.

Material: Silver, B foot, with 14k gold lipplate, silver riser. Tube appears to be .014".

System: Hand made French model with B foot (with gizmo), gold lipplate. Soldered toneholes. Seamless tube. This fascinating instrument is fitted with reversible split E and high G# facilitator connections.

Condition: This flute was one of the most played of the Harold Jeter collection. Although it has been through the hands of nonprofessional restorationists (probably Jeter himself), she is ready for a complete overhaul and rebirth. Paul Rabinov feels that the pads need to be changed.

Pitch: Pitched at A=440. Classic scale.

Sounding Length: 637 mm.

Measurements:

Weight: 436

Case: In Harold Jeter handmade case.

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The number is a great one. The original owner's name is engraved as well. Harold Jeter was beloved by flute communities in Illinois and Winter Haven, Florida.

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Harold Jeter was well known as a case maker. He made the wooden cases for Rampal's gold flutes, and for many other famous flutists.

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The Haynes right hand is an adaptation of the Louis Lot design, probably from a Chambille era instrument.

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We can see in the left hand a bit of ornamentation at the Bb shoulder clutch, which is also very sturdily made and covers a much of the underkey as possible.

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Here we see the curious Haynes version of a removable split E mechanism. The "hook" swivels away from the little tail.

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The thumb key enjoys a spring loaded extension to a tail from the G# key, giving the half-closed assistance to high G#..

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The C and C# are clutched via a corner plate on the C#. The B is independent. The D# with the straight side began with Chambille, I believe, and is here slightly bent to the left.

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The gold lipplate gives a lovely sound and feel.

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A rear view of the right hand shows what we call the "hanging T" clutch, made here with an ornamental bevel on the right, and a shaped left side to match the underside of the key giving the most possible contact.

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